Ottavio Dantone studied harpsichord and organ at the Giuseppe Verdi Conservatory in
Since 1996 he has been musical director of Accademia Bizantina of
His regular concert commitments with Accademia Bizantina have taken him to the most prestigious opera houses and international festivals.
In 1999, the first modern performance of Giuseppe Sarti’s Giulio Sabino marked his debut in the world of opera. Since then, his activities as a soloist and musical director have grown with his role as conductor. In addition to presentations of Baroque opera, his operatic repertoire now extends to the Classical and Romantic periods, including well-known works and unknown operas in world premieres.
In the Spring of 2005 he directed Handel’s Rinaldo at La Scala in
Equally in demand as a guest conductor, Ottavio Dantone regularly directs the orchestra of La Scala in
Ottavio Dantone has been widely heard on radio and television in
His recordings, as harpsichordist and organist and as music director of the Accademia Bizantina, are always eagerly awaited. Recent releases for Naïve include Vivaldi’s Tito Manilo and a collection of three recordings dedicated to Baroque opera excerpts, one featuring Sonia Prina and the two others featuring Sandrine Piau. Dantone’s recent recording of the Bach Sonatas for harpsichord and violin with Viktoria Mullova on the Onyx label has been considered to be one of the outstanding recordings of chamber music in recent years.
Since 2003, Ottavio Dantone has recorded for Decca, collaborating regularly with Andreas Scholl who is a long-time partner on the concert platform. The current releases, all warmly received by the press, include the Bach concerti for one, two and three harpsichords (2008), Handel organ concerti (2009) and a recording of Haydn concerti in preparation. A new recording with Andreas Scholl is planned for 2010.